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Hares in Roman Art by Isobel Wilkes

To celebrate the 50th anniversary of the discovery of the Hare Mosaic, summer intern, Isobel Wilkes, looks at the significance of the hare as a mythological figure and artistic motif in Roman art.

Matres and Genii Cucullati

Blog post written by Fiona Beeston, a student at King's College, London, studying Classical Studies with English. Read on to discover more about the Matres and the Genii Cucullati and their roles and symbolism in Roman Britain.

The SATOR Square by Isobel Wilkes

Read our latest blog post by Isobel Wilkes about the second century CE Sator Square carved into a painted section of wall plaster, which was excavated from a Roman house on Victoria Road, Cirencester in 1868

A ‘Festival of Isis’ token from Kingscote, Gloucestershire

Read our latest blog post - A ‘Festival of Isis’ token from Kingscote, Gloucestershire by C. Mondello & D. Wilding. Tokens (also called tesserae) in the Roman period are a little studied class of object. They are commonly found all over the Roman Empire, with the exception of the province of Britannia, and are usually made and used on a local scale. The presence of a ‘Festival of Isis’ token in Roman Britain is therefore unusual as it has been taken from its place of origin to an area which did not use tokens.

Mercury the Messenger

A small, limestone statue head, produced in the Romano British period, that belongs to the Roman God Mercury, was found on Cricklade Street. It now sits proudly in the Corinium Museum; read on to discover more.

Orpheus: Mosaic, Music & Myth

Orpheus is a popular figure in mosaic art from the Roman Empire. He’s often depicted playing the lyre given to him by the god Apollo, which Orpheus famously used to soften the heart of Hades and attempt to retrieve his wife, Eurydice, from the underworld. His mythic departure from and return to the land of the living was only possible through his divine ability as a musician to charm beasts, move mountains, and bring harmony to the natural world.